Sunday, November 16, 2014
"The Nazis in the Next Bunk" (NYTimes Book Review letter, Nov.16, 2014)
Friday, December 6, 2013
Fw: "Early music lessons may improve brain performance" (22.11.13) article by Ian Sample
Professor Wang's study on how early music lessons affect a person's professional success or failure in adulthood, raises some tantalizing questions that require further research. For example, would Einstein, Herman Hesse, Thomas Mann, and Marlene Dietrich have succeeded in their respective fields if they hadn't had violin lessons in childhood? Would Thomas Jefferson, Woodrow Wilson, and Richard Nixon become presidents of the United States without violin lessons? Moreover, we have the infamous as well as the famous to consider: Dictator Benito Mussolini, Gestapo Chief Reinhardt, and terrorist Ulrike Meinhof---all were amateur violinists. (I can imagine Il Duce playing second fiddle in an opera orchestra if it hadn't been for his oratory skill, fascist ideology, and ill-fated friendship with Adolf Hitler.)
Perhaps, in the course of her intriguing research, Ms. Wang will discover that those children who study art, ballet, poetry, chess, or any of the fine arts, will also develop and improve that area of the brain involved in language skills and "executive function," or a person's ability to plan and carry out tasks.
Les Dreyer (Retired violinist of Met Opera Orchestra)
180 West End Ave. NYC 10023 USA
Thursday, September 26, 2013
NYTimes.com: Music in the Key of Melancholy
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Thursday, February 28, 2013
Fw: NYTimes.com: Scribblings in the Orchestra Pit
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Friday, January 11, 2013
Fw: The Fastest Pianist in the World, Yuja Wang article Dec.21, 2012
Top of Form
Guardian Weekly Letters, 11 January 2013
· Guardian Weekly, Tuesday 8 January 2013 08.59 EST
Bottom of Form
Peak performers
Your article about sports performances that appear superhuman may be suitable for the Guinness Book of Records, but hardly for concert pianists (Performance that is really superhuman, 21 December). Granted, Yuja Wang can play fast, but so what? Hundreds of pianists, past and present, played as fast if not faster than Wang, yet their concert careers fizzled into oblivion. For example, Lubomy Melnyk, a budding concert pianist in the 1970s, was clocked playing 19.5 notes per second by each hand, simultaneously, and the most number of individual notes played in one hour: 93,650.
I, for one, am quite content with the prestissimos of early Rubinstein, Rachmaninov, Horowitz, Richter, Barere and the hell with the missed notes. Moreover, a simple Mozart melody played by artists like Ruth Slenczynska or Rubinstein may transport the listener to celestial aesthetic heights unattainable by passages of 64th notes – regardless of their accuracy and speed.
Les Dreyer
New York City, US
Sunday, November 25, 2012
NYTimes.com: Sunday Dialogue: Is Classical Music Dying?
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Monday, November 19, 2012
NYTimes.com: Invitation to a Dialogue: Saving Classical Music
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